Oil on linen, 100 x 150 cm
DOCTRINE AND METAMORPHOSIS: The documented process of "Daddy’s Girl" is a record of the analog synthesis of matter. In the current software era, the physical accumulation and manipulation of oil pigment functions as absolute proof of biological origin and expended human time resource.
The composition is constructed upon a radical structural and textural dichotomy:
System Architecture: The male figure (The Kin) is executed through heavy, aggressive impasto and high thermal saturation. This constitutes the material volume of the active pathology, which physically crushes the space.
Object Architecture: The female carnation undergoes thermal desaturation. It is built through precise glazing to optically nullify the surface relief. The biological status is preserved but subordinated to porcelain statics and absolute visual apathy.
The contact point between the aggressive oil relief of the invasive grip and the clinical smoothness of the voluntary paralysis generates the conceptual tension of the canvas. The visual arrays do not register a search for classical aesthetics, but a clinical dissection of the boundary between control and auto-institutionalization.
System Architecture: The male figure (The Kin) is executed through heavy, aggressive impasto and high thermal saturation. This constitutes the material volume of the active pathology, which physically crushes the space.
Object Architecture: The female carnation undergoes thermal desaturation. It is built through precise glazing to optically nullify the surface relief. The biological status is preserved but subordinated to porcelain statics and absolute visual apathy.
The contact point between the aggressive oil relief of the invasive grip and the clinical smoothness of the voluntary paralysis generates the conceptual tension of the canvas. The visual arrays do not register a search for classical aesthetics, but a clinical dissection of the boundary between control and auto-institutionalization.
(Videos show parts of the working process from the very beginning)